STEMM Institute Press
Science, Technology, Engineering, Management and Medicine
Research On the Connotation of Burning Pagoda in Ji'an, Jiangxi Province and Its Integration with Modern Lamps
DOI: https://doi.org/10.62517/jhet.202515310
Author(s)
Liu Rui
Affiliation(s)
Jingdezhen Ceramic University, Jingdezhen, Jiangxi, China
Abstract
This paper takes the Mid-Autumn Burning Pagoda Culture in Ji'an, Jiangxi Province as the research object, explores the core cultural connotations of "spirit of harmony" and "spirit of optimism", and explores the integration path between its traditional folk elements and modern lamp design. By analyzing the visual characteristics of the Burning Pagoda Culture, such as its tower shape, grain symbols and red and yellow colors, and combining them with the aesthetic principles and material technology of modern lighting design, we propose an innovative design scheme based on modular structure, dynamic light effect and interactive experience. The study shows that the symbolic extraction and reconstruction of Burning Pagoda Cultural elements can effectively enhance the cultural narrative function of lamps products, and realize the two-way empowerment of the living inheritance of traditional folklore and contemporary living aesthetics. The study provides a practical model for the modern transformation of intangible cultural heritage, and at the same time opens up new perspectives for cultural innovation in the field of modern product design.
Keywords
Burning Pagoda Culture; Modern Lamp Design; Intangible Cultural Heritage; Cultural Symbols; Interactive Experience
References
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